I’d be curious to know your own nominations if you were choosing. I know you don’t like The Brutalist, but I wonder what your thoughts are on the use of generative AI in the film and whether it should have been disqualified for Best Picture.
I’d swap out Nickel Boys for A Real Pain, Zoe Saldana for Jamie Lee Curtis, Adrian Brody for Jessie Eisenberg, and Carla Sofia Gascon for Marianne Jean-Baptiste. Flummoxed at all the love for Emilia Perez, a telenovela with delusions of being a real musical.
I saw more than 100 movies last year but almost none of the nominees. Bad marketing? I have no idea. "The Apprentice" topped my list. I could barely make it through "Nickel Boys," which I saw at a film festival -- yes, it's an important story, but the disjointed narrative and woozy cinematography made me physically ill.
I don't know anyone who liked Emilia Perez (I haven't seen it).
I’d be curious to know your own nominations if you were choosing. I know you don’t like The Brutalist, but I wonder what your thoughts are on the use of generative AI in the film and whether it should have been disqualified for Best Picture.
Yes to Anora! I hope it sweeps! (And not just because my son is in it)😀
I’d swap out Nickel Boys for A Real Pain, Zoe Saldana for Jamie Lee Curtis, Adrian Brody for Jessie Eisenberg, and Carla Sofia Gascon for Marianne Jean-Baptiste. Flummoxed at all the love for Emilia Perez, a telenovela with delusions of being a real musical.
I saw more than 100 movies last year but almost none of the nominees. Bad marketing? I have no idea. "The Apprentice" topped my list. I could barely make it through "Nickel Boys," which I saw at a film festival -- yes, it's an important story, but the disjointed narrative and woozy cinematography made me physically ill.
Hard agree on The Substance’s lazy screenplay. It did not just beat the dead horse, it picked up the dead horse and beat the audience with it.